wJeremiads
"Facts do not cease to exist because they are ignored." -Aldous Huxley

You've stumbled upon the website of Jeremy Lott. (To learn more about me, go here.) I can be reached at JEREMYAL123 -- AT -- YAHOO.COM.


wArchives:


-- HOME --



This page is powered by Blogger. Why isn't yours?
wSaturday, October 25, 2003


THIS AND THAT: I've wanted to post some items here for the last couple of days, so, here goes:

Go listen to Kevin Steel's "Six midi minutes for strings." It's computer generated from one end to the other and it's quite good.

Thanks to RiShawn Biddle, Kathy Shaidle, Mark Shea, Paul Cella, Steve Sailer, Steve Martinovich, Jay Currie, and others for helping raise funds to keep Kevin Michael Grace and company from being evicted. Well over a thousand dollars came in.

On Monday, Books & Culture/Christianity Today ran a review by yours truly of Virginia Postrel's new book. It began:

I can't decide if it's a paradox, an irony, or evidence that Virginia Postrel's publisher hates her. In her new book, The Substance of Style, Postrel preaches the importance of aesthetics—the "look and feel" of things—in selling products. She also argues that an author's attractiveness can be a major asset in book sales—see the back cover of works by Michael Lewis. So what did HarperCollins do? It slapped an ugly red-and-green cover on the dust jacket and went with a small black-and-white mug shot of this very photogenic author.

That was unfortunate, because, through a process Postrel calls the "aesthetic ratchet effect," such a cover is … not likely to help book sales. Though it would not have looked out of place in the '70s and '80s, we have lately come to demand more of our goods and services. It's no longer enough that products function properly, we want them to look cool too, to reflect well on the buyers—that is, us.

So, on the one hand, there is a massive amount of money to be made from satisfying customer demand for better-looking things (e.g., designer toasters or the new VW bug). On the other, this creates something like an aesthetic arms race, where products have to look better in order not to be left behind. I fear the look of this book may confine most of the copies to the industry equivalent of the dustbin of history, the remainder bins. [more]

All for now.

posted by Jeremy at 8:28 PM